Welcome to One Shoot Photography Sunday!
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| Abstract Glyphs |
In addition to being an extremely talented photographer, Andy Ilachinski is a physicist specializing in the modeling of complex adaptive systems (with a Ph.D. in theoretical physics). He reveals that since his parents gave him a Polaroid Instamatic camera for his 10th birthday, he's been studying the mysterious relationship between inner experiences and outer realities ever since...
"My creative process is very simple. I take pictures of what calms my soul. There may be other, more descriptive or poetic words that may be used to define the “pattern” that connects my images, but the simplest meta-pattern is this: I take snapshots of moments in time and space in which a peace washes gently over me, and during which I sense a deep interconnectedness between my soul and the world." —Andy Ilachinski
One Stop Poetry's Chris G. conducted the following interview:
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| Swirls, Whorls, and Tendrils Triptych |
In what ways has photography been a part of your life?I was given my first camera - a Polaroid Instamatic - when I was 10 (which was exactly 40 years ago!). My very first show - how can I forget? - was an "abstract" close-up of my big-toe!. Since that time, I never looked back ;-) I've had a camera in my hand ever since.
What about photography appeals to you? "I believe that photography gives me the possibility to express the way in which I see the world. It also gives me (sometimes) the power to shape it in a way in which I want to see it. But the most, it gives me the possibility to transmit the beauty of this world."
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| Mystic Flame |
Do you find similarities between photography and poetry? What is your personal philosophy about photography?
Both obviously represent a means - a "language" - of expression; though each has its unique gifts and requires something of the "observer" (or listener). As languages of the soul, neither can bepracticed very well until the artist becomes wholly immersed in the craft. Just as "words" alone - without craft - convey little of lasting value, so, too, "pictures" - by themselves, without reflection or careful artful consideration, will almost never show anything more than what the picture depicts as a "thing." In either case, the art - for me - comes from the images (or words) communicating something of what the artist *felt* (and/or experienced), beyond a mere regurgitation of "what was there." As Minor White used to say (one of my favorite photographer-teachers, and a true inspiration, though I was too young to ever meet him), "One should not only photograph things for what they are but for what else they are."
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| Micro Worlds Triptych |
What about photography appeals to you--and how did it first become
a part of your life?
My "day job" is as a physicist, specializing in the modeling of complex adaptive systems. I therefore spend a lot of waking hours using the right-half of my brain. Photography - a decidedly nonverbal language that has even less to do with "equations" - compels me to exercise the left-half. This joy - and it is a true joy (akin to a spiritual experience for me, when I am out with my camera) – is something I have found I cannot live without for too long. Even a few weeks without going out with my camera - if only to *try* to find something, to experiment with compositions - leaves me sad and yearning to put aside my equations.
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| Santorini Greece |
Based on your career in physics--have you found any correlation between your career and your photography? Do the two coincide at all?
Intuitively, one might suspect little overlap (as already alluded to above: one left-brained, one right-brained). But to do well in either requires creativity, which transcends these conventional categories. "Leaps of faith" are required in both disciplines. Whether one is trying to "connect two pieces of the puzzle" to make them fit in physics, or finds just the right angle and light to "capture the shot," the inner creative processes are remarkably similar; dare I say identical. More to the point, when one is in the "flow" – whether doing physics or photography, or just *living* in the moment - that "state" is just that, an inner reflective state for which largely arbitrary labels such as "physics" or "photography" no longer apply. When I am engaged in doing either discipline, the simple truth is I always seek to gain that quiet inner contemplative "flow" state (hence the name of my website: "Sudden Stillness").
Where are some of the places you’ve
shot photographs?
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| Illusory Fragments |
My dad, a lifelong artist (though not photographer) taught me even before I got my first camera, that good art can be made anywhere. Indeed, he often liked to say that "art is the craft of converting the ordinary into the extraordinary". I take particular delight in "communicating" a beauty in what most passerbys would dismiss as uninteresting at best or ugly at worst. One of my favorite projects in recent years was a portfolio I call "Entropic Melodies" which is essentially close-ups of dilapidated windows. Having cropped away the context of what the dilapidated windows really *are* I was able to show the underlying beauty of the geometry and tones of the reflections in broken glass. Another example is a recent series called "Swirls, Whorls, and Tendrils" which are essentially a collection of "snapshots" of a single drop of ink as it diffuses in a shallow pool of slowly rotating water. Having said that, I have also been blessed with an ability to travel every so often; always with a camera - or cameras! - in my hand. In the last decade or so, my wife have been to Hawaii, Florida, London, Greece, and Scotland. Portfolios of all of these places are posted on my blog and website.
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| Spirit and light |
What would you suggest to people just starting out in such creative pursuits? I wrote a long piece on that subject in my blog once (
here is the link). A young artist emailed me with the question: "What are the most important lessons you've learned on your way to becoming a fine-art photographer?" My answer (elaborated considerably in my blog entry) consisted of these fundamental lessons: (1) Never stop taking pictures; (2) Forget about things and concentrate on feelings; (3) Do not internalize (or take too seriously) what others tell you about your pictures; take the pictures that are important to you; (4) Learn the basics of technique, so that "technique" never again requires your conscious attention; (5) Never stop learning from the masters, and their photographs; and (6) Forge your own path (strong form of lesson #3).
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| Timelessness |
What inspired you to share your work, opinions, etc. with the world?
Another lesson my dad taught me is that art, if left alone in the company of just the artist who created it, is only *half*-an-art; true art needs to be observed, and experienced, by others. There are three singular moments in which my artistic joy is at its peak: (1) the ineffable instant preceding my finger going down on the camera's shutter button to go "click"; (2) the final (post Photoshop) print as it emerges out of my Epson printer; and (3) the expression on a person's face as he or she first gazes upon a print of mine that they have "emotional reaction" to. Posting on the web dilutes #3 somewhat ;-) but the tradeoff is more than my fair-share of heart-felt emails I get from time to time from people that an image or two has touched in some way.
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| Sudden Stillness |
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Now for the Picture Prompt Challenge!
I hope Andy Ilachinski's photography and creative insights have inspired you!
Here's the challenge:
Try your hand at a poem (or Flash 55), post it on your site, and then sign in to Mr. Linky so people can find your work. Please let us know what you are sharing by leaving a brief comment. Finally, please visit the other participants, comment, and give credit to Andy for his talent. Thank you. —
Adam
Accept the picture prompt challenge! :)
Feininger, Andreas, 1906-1999, photographer.
