One Stop Spotlight - Joy Ann Jones aka hedgewitch

It is my pleasure to introduce a poet I've come to appreciate during the last weeks for her writing and also her eloquent and sensitive commenting on other people's work.

Joy Ann blogs as Hedgewitch at Verse escape and her poems often have an epic and a bit of a "Lord of the Rings" feeling clinging to them, mingled with a dash of ancient mysteries. You may discover some of this in Joy Ann's poem "My New Dragon" below.

Enjoy the reading and make sure to pay her a visit over at Verse escape..

~ Claudia


My New Dragon

Flies above the forest
His spine a swift reticulated run
Of cloud croquet hoops,
His breath the flinty white
Of ashen cinders in the grate,
Flaring back behind him like a banner
Of all that overcomes.

                                             My New Dragon

Fought the old all summer long,
All winter in a haze of snow and fire,
Til victory was made in blurry battles
High where eyes of mortal could not peer
And now he mounts his watch above
In case his rival someday
Comes back home.

His head is turned to follow
The disappearing backside of his foe.
His three-horned crest stands tall
And watchful, full
Of secret raptor pleasures
Bone bred in dragonkind.
Though rain patters grey
turning blue as it falls
like steel on the scales of

                                            My New Dragon’s  

skin, his heart is light
And on his broad back of clouds and vapor
I go riding.

© Joy Ann Jones, November 2010

Mirror

The soul within / smooth, reflective curve
Glossy with the sheen of old smokes
Something about the light, he said
There is a wild piece of it in the dark.
It winks in the corner of the mirror,
An absent flame / the memory of a flame
Whiskered by the haze,
Reaching out to touch it you feel
First the illusion, then the fingertips finally
The smooth cold feel of the mirror
Asking which is real.

Perhaps it’s over, the light show,
The flowers powerless against the machine.
Only a curve reflecting forward
Some piece of light
To kindle the back ward glancing eye

© Joy Ann Jones, January 1988

I asked Joy Ann to share a bit about herself and her writing...

First of all, I’m very flattered to be here at One Stop Poetry, a place I consider one of the best networking sites for poets and writers on the web. The talent on display here from week to week is astonishing, and it’s a pleasure and honor to be a part of it even in a small way.

I first came to love poetry at the age of eight when I found a volume of classic poetry included in my Childcraft encyclopedia set. In a turbulent childhood, that volume was my refuge, and I read and reread poems like The Highwayman, and La Belle Dame Sans Merci til I knew them by heart. That’s when I discovered that mere words expressed in certain ways were able to create a living world of the imagination that is far more attractive and often seems more real than the mundane one we inhabit. That empowering and intoxicating combination of control and creation is what continues to make me write poetry.

In high school, I was fortunate to have a great Creative Writing teacher who took a personal interest in motivating young writers, and as her student I even won fourth place in a national competition (Atlantic Monthly) which at the time was quite heady stuff. After that, however, life intervened, and my poetry was strictly something that came pouring out when it had to, and the rest of the time was pushed aside. It’s only recently that I’ve had the resources and leisure to get back to writing. Always, though, at the hardest crossroads and in the most painful situations of my life, it was there for me, and is still the way I work through all the inarticulate forces that challenge us to the max, and of which life never seems to run out.

The writing process itself for me starts with an emotion, or a tag line in my mind that has to be written down. I jot sentences, phrases and paragraphs down as they come to me, and occasionally I get a whole poem that way. Usually, though, the lines have to be worked with, written, paired with others, and rewritten. Then I often let the poem ‘steep,’ and come back for a final microscopic go at it word for word and line by line. I often enjoy the process as much as I do the end product.

...and I was curious about how Joy Ann reads other people's works and if there is a structure when she comments, how she looks at a poem from different angles or compares with something she knows or has learned...

One of the best things about blogging poetry is that you get to see so much creativity and so many different ways of writing. When I comment at a poet’s site, I feel there are two things that are important, respect and connection. It takes courage to post your work out where everyone can see it and leave yourself open to the reactions of total strangers. Also, fundamentally all art is, at its most basic level, a giving back. I feel you have to respect that. Then, I think if someone’s work has said something to you, made you think, provoked an emotional response, or engaged you at all, it’s important to try to show the poet how s/he did that, just why that piece worked. So I try to do that when I comment, sometimes through drawing in a personal reference, or by comparison. Mostly, I want to pass on some of that encouragement I got as an adolescent when it meant so much, and share the enjoyment that poetry gives me with everyone who experiences it.