Friday Poetically with Brian Miller

Welcome to Friday Poetically.

Thank you to all that participated last week in our music inspired poetry. This week I want to introduce another new feature that I will be running each month: Kid's Wall. I use the term kids loosely as it encompasses the smallest child to the waning days of teen-dom. Kid's hold a special place in my heart, which is why I do counseling with them.

Children and youth have a perspective on our world that many times we lose as we grow older. The trick is getting them to share it. I believe it is our role as parents and advocates to encourage the arts in our collective children and celebrate their creativity.

Kid's Wall is about celebrating those voices, the ones that dare to put them to paper. Perhaps they are your child or just one that you know. If you are interested in having their work posted on the Kids Wall, please submit them to oneshotpoetry@gmail.com and put Kid's Wall  in the subject line. I will coordinate posting them and email you when your submission is posted.

Without further ado, this week I have poems by two teenage boys. One on fear, the other on love and both about growing up, just a bit. I think you will enjoy.

No Fear
by Robert Fletcher Moffett
(age 16)

Everything's so easy, when you're a kid,
No pressures to worry about, you can just live.
Everyone's so nice, you never see mean,
You can feel safe, living as a human being.
You go to play in Little League games, while people cheer,
You can be out, and live a life of No Fear.

Every now and then, a problem comes across,
It might be that you fell, and caused your team a loss.
But its over and its done, within a couple days,
It doesn't leave you scared and confused, in an endless maze.
You can go over there, you can be over here,
You can live the life of No Fear.

Then you get older and the pressures come down,
You don't feel like the king anymore, wearing your golden crown.
Your friends and your family, say two things far apart,
Stuck in this position, it's hard to follow your heart.
Should I do drugs?
Should I drink beer?
What happened to my life?
My life of No Fear?

You see when you're a kid, everything comes to you so easy,
No decisions to make,
This might sound a bit cheesy.
But don't forget that you had the life to live,
Everything that you did came out pretty positive.
You didn't have to do drugs, or drink beer and be a fool,
Back in the days with your friends, you could always be cool.
When you're a kid, you don't have to worry about bad things being near,
You go on living your life, your life with No Fear.

Resonances
by William Bednar
(age 18)

Tis not in commitment
To love that warrants beauty,
For fickle a girl beauty is indeed, not to be bent
By sorrow and pain filled gazers and dandies,
Eyes gleaming in fleeting hope, without sense,
That their smiles, enwrapped and dependent,
Will have recompense
By her gaze, resplendent,
And perhaps, if in good favor,
Have admiration bestowed on them amorously.
But nay, beauty is a fickle girl. Alas, we love her.
So as the breeze sings melancholy,
And the leaves reflect her lips of flame,
As milky clouds remind of her skin,
When her hair is night, dark and sleek, putting others to shame,
Filled with expectation
And apparitions of loveliness,
I think of the sweet longing,
Hoping for the moment not to pass.
The sweet longing
I loved then,
For a moment,
Lingering in the agony of emotion,
In a short eternity that I underwent.

I then found beauty.
But then the lights were no longer low,
The emotions, so resplendent in ardor, escaped me.
The facade was gone after the show.
Nay tis not in commitment to serve
Love that hold beauty.
Tis in the memory of nerve,
Tumultuous as a stormy sea.
Tis in the very slow-grown enthrallment
Of her melodious voice.
Tis in the memory of through what my heart went
When I told it to her by my choice.
When I told how it was stolen by her raven hair,
By her star-drenched skin,
By her cherry lips at which I’d stare,
And the voice so in apprehension, rife with emotion from within.
Tis not in the resolution itself
Of intricate harmonies and dissonances,
So pleasing to the ear in their discord and wealth,
But in the expectations and resonances
Of this ecstasy,
That resides beauty,
Which is why I told her my love and melancholy,
Letting her forget, and proceeding to flee.
For the wonderful nostalgic memory
Of the shortness of breath,
Would by intimacy,
Certainly be put to death.

Have a wonderful weekend everyone and keep your eyes open, you never know where a poem might be lurking, just waiting for you to write it! ~Brian

Moondustwriter's Thursday - Guest Featuring Poet Samuel Peralta

Welcome to Moondustwriter Thursday. I , Leslie Moon, am pleased to have the opportunity to interview Samuel Peralta. I've been following Samuel for more than a year now (we met on Twitter). I have been impressed with the depth and thoughtfulness of his poetry. 
Please enjoy Samuel Peralta!

Can you give us a short biography of yourself?

Some people have noticed that my writing suggests a science background and a varied cultural landscape – and that’s all true. I was born in Manila, went through school in the Philippines and California, U.S., did a Ph.D. in physics in the U.K., then research in Canada. 

I was the youngest to win a Palanca Award (the Pulitzer equivalent in the Philippines) for my collection “Pacific”. It was heady stuff. I published a chapbook after that, “Moon Leaves”. Later, I was recognized by the U.K. Poetry Society, the B.B.C., and was included in a Best of Anthology by the League of Canadian Poets. Then it ended.

Essentially, I became focused on the corporate world. My production of poetry dropped for years to maybe one poem a year. Having achieved business success, I had lost myself.

In trying to re-discover myself, I turned to songwriting, actually garnering a following on MySpace. Then Twitter arrived, and I began to re-visit poetry, as @Semaphore  http://www.twitter.com/semaphore. To my surprise, in two months, I reached a following in poetry that had taken me two years to achieve in music. Something clicked. Last year I was voted #1 for the Poetry on Twitter, and also named to a list of the Top 100 on-line poets in the world.

Now, with tens of thousands across my social sites, my reach has been greater than all my previous print publications combined. Ashton Kutcher has nothing to fear, but for poetry – the numbers are amazing. Besides my Twitter stream, my poetry is collected on my online journal, “Semaphore” - http://bit.ly/s4poetry.

Since my personal poetry renaissance, I’ve had poems in various journals and anthologies, but recently GOSS183 published my first new chapbook in years, “Sonnets from the Labrador” - http://www.magcloud.com/browse/Issue/106631. It’s a fabulous press, who include Pushcart Prize awardees in their author list; so I’m quite happy to be in that company.

How long have you been writing?

I’ve been writing poetry ever since I can remember; my mother kept presenting me with a notebook where I used to write verse~ couplets mainly. She says I was 5! She’s an artist, and my father a playwright, both well-recognized back home; I was raised to love art and literature. “A Mother” -http://bit.ly/s4amother - is about my mother, and “Pacific” - http://bit.ly./s4pacific - is about my father.

What inspired you to start writing poetry?

The sound, the musicality, of words, inspired me at the start.  Then, later on, the layers of meaning and emotion you could sculpt with words. Now, as I’ve said before, I am moved by earthquakes and personal tragedies, constellations and war, quantum physics and lost love, forces of nature as seen through the lens of a single person's experience. I write about imagined lives, camouflaging my personal pain and joy among these lives. I like being challenged. Someone once challenged me to write a poem related to shoes – when I finished, I had come up with “War” - http://bit.ly/s4war.

Maybe because of my scientific background, I also do a lot of research on a poem; you’d be surprised at how much. People have written to me about my life in Afghanistan, or Haiti, or my skating experiences. I have never been to those places, and I am a terrible skater. I live vicariously through my poems.

Do you engage in other forms of art?

I used to produce visual art, influenced by my parents’ artistic bent. I still appreciate it, but now I mainly visit galleries or collect, rather than produce visual art.

I still have a moderate following as a songwriter. As a singer, I worked with a professional studio to produce a couple of tracks and still continue to write songs for other bands and singers.

I find that those experiences help enrich my poetry, in terms of visual control and musicality.

What words of advice would you give someone just starting out?

Always be writing – having coffee, taking a walk, dreaming. Strive to make each poem the best you can make it, don’t compromise. If you’re not happy, it’s a work in progress.

Read as much as you can. Re-discover the classic poets. Among my favorites are T.S. Eliot - for his literary erudition; Pablo Neruda - for his sensuousness of language; and Craig Raine - for his incredible use of metaphor. There are many others.

Also, search out new works by new writers – you’d be surprised at what you find. The best poetry books I bought last year were from Billy Collins – the former US laureate – and Shaindel Beers, a relative newcomer.

This is where “One Stop Poetry” excels – in introducing writers to each other’s work, and in encouraging new work. It’s a wonderful community, with talent and enthusiasm, and I’m eager to see it move to the next level of success.

What are you working on at the present?

I continue to write on a regular basis, of course. My life is poetry. Over 200 poems are now collected on my “Semaphore” site.

"Sonata Vampirica", my sonnet-cycle book on that mythology, is being readied for release. I am hoping to follow that up with a collection of love poems and a collection of my renditions of selected poems by the Japanese artist, Kotaro Takamura.

My big project at the moment is a novel-sized verse project. I am 10,000+ words into it, it is consuming most of my time, but I am excited by it. And petrified.

 “The Semaphore Anthology” - http://bit.ly/s4anthology - another online journal I maintain, collects samples of the best (in my humble opinion) from new poets. I don’t solicit poems, I scour the net and then ask for permission to print, with only one criterion, that I read a poem and think, “Damn, I wish I’d written that”.

 I’m thinking about starting another online journal, about the craft of poetry, a behind-the-scenes look at structure and how specific poems were written. It’s a matter of whether I have enough time.


I appreciate that Samuel took time out of his schedule for this interview. One Stop Poetry is about recognizing talent and featuring  both new poets as well as seasoned poets. We hope you've enjoyed this view into Samuel's world of poetry. I know we will enjoy many years of wonder and intensity from this talented man.

Photography attributed to Creative Commons.

One Shot Wednesday - Poetry Week 29

Welcome to One Shot Wednesday - Week 29

Welcome to One Shot everyone! My name is Brian Miller and I will be your host today. We look forward to reading your amazing poetic offerings, and are excited you are here, but first let me tell you about a few things that will be rolling out in the next couple weeks with my Friday Poetically.

If you joined us last week, we wrote poetry to the amazing talent of Joe Satriani. Each month we will look at different musical inspirations for our poetry. This Friday, I will launch a new monthly children's wall, where we will be posting poems by children/teens. If you know word artists that happen to be children or have kids of your own, we encourage you to submit their work via email to One Stop Poetry. We will put several up each week and you will be notified the week your child's poem goes up on the wall. In order to provide protection for children under 14 years of age, we ask that you have them create a pen name. Each work of poetry can then be displayed with that name.

Those are just a few of the features you can look forward to on Fridays.

We also would appreciate your vote for One Stop Poetry if you are on Twitter. We have been nominated in two categories  (by the Twitter community) we are in good position to receive an award which would reflect back on each of you as this is a community.  There is a Shorty Awards button to the right of the page. 

Let's give the microphone back to all of you for One Shot Wednesday. Happy One Shot everyone!

If you are new to One Shot Wednesday, please feel welcome to participate by doing the following:

1, Write an original poem and post it to your blog

2, Link back to One Shot Wednesday from your post 

3, Sign up in the Mr Linky list,(use the URL from your blog) linking directly to your post, AFTER you've posted it. Mr Linky will be open from 5pm EST Tuesday (10pm UK)  until 3am EST Thursday (8am UK). If you need help with this, please ask in the comment box.

4, Go visit others that have posted. This is a great way to learn new forms, meet new poets and gain inspiration for your next piece. though this is not mandatory we encourage you to visit at least one other poet and give some helpful feedback.

5. For some of you I need to stress - don't feel that you need to comment on each poem. Take in the inspiration of a few with a good cup of tea or coffee.

On behalf of  my fellow cohorts, Adam Dustus , Leslie Moon, Pete Marshall,Chris Galford, Jessica Kristie, Claudia Schoenfeld, Gay Cannon and myself - welcome and enjoy!!!!!